3/16/2024 0 Comments Trombone online tuner![]() ![]() By and large there won’t be a need for a bass trombone in middle school. If you started playing trombone in the school band, you should spend a number of years on tenor trombone before switching to bass trombone. Know that this is one approach, and there are several out there that work for others this is the approach that we recommend. For more details and clarification as to James Markey’s approach, check out this video. This method doesn’t have a step-by-step “do this, and then do this, and then this will work right” set of requirements, so it can be daunting, but it is the most natural way that we learn, and ultimately the best way to resonate the instrument rather than fight it (and since you’re made of flesh and the instrument is made of metal, the instrument will always win in a fight). Of course, there is a difference so ultimately your playing will differ a little bit, but Markey suggests avoiding thinking too much about consciously changing how you play, and just letting the body learn how to play it and adjust over time. He discovered that in regards to the difference in size, the bass trombone is not as different as some would have us to believe. ![]() Arnold Jacobs is perhaps the greatest and most respected pedagogue in the history of brass playing he had immense technical knowledge for how everything worked and sought to back up his ideas (and put others to the test) with science. In a recent video uploaded to YouTube, James Markey (bass trombonist with the Boston Symphony Orchestra – one of the best in the world) goes over some evidence found by the late Arnold Jacobs. The general pedagogy of brass playing that goes back decades and decades has shaped the idea that bass trombone and tenor trombone are two completely different instruments that require different conscious efforts and setups to play. I hope that you will sign up for the free trial on a DigitalTrombone membership.Making the switch from tenor trombone to bass trombone may seem like a giant step. Some of the material that has been available in my (from a trombone perspective) best-selling e-books has now been updated and is available in the member’s section of this site. When I realized that I had created far more than 1.000 pages of sheet music for trombone for personal use and for my students, I decided that it was about time to give more people the opportunity to use it. I have released 4 albums, the most recent being “New York Tribute” with my band Elektrojazz.Īs an educator, I have conducted trombone workshops as well as taught on all levels from beginners to professional trombone players at music schools, music conservatories, and private students.īesides playing and teaching, I have written tons of material for trombone – etudes, technical exercises, flexibility stuff, scale patterns, and much more. I also work extensively as an arranger and conductor, my portfolio includes work for Mike Stern & DR Big Band. I have worked with artists and orchestras such as Kim Wilde, Katie Melua, Westlife, Dee Dee Bridgewater, Ivan Lins, Curtis Stigers, Gerard Presencer, the Danish Radio Big Band, Norrbotten Big Band, Ernie Wilkins Almost Big Band, and many others. My name is Anders Larson and I am a jazz trombone player based in Copenhagen, Denmark with 25 years of experience as a professional musician and educator. ![]()
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